“Let the games (rehearsals) begin!”
Wednesday, December 24th, 2008We’ve just finished our fourth rehearsal. We are currently on a once-a-week rehearsal schedule due to the holidays, but we’ll be amping up to three-a-week rehearsals after the first of the year.
Terry and I have finally begun to shake off the rust - neither of us has acted in years. We also weren’t sure what it would be like working together. But it’s been great. Though I must confess that during much of the rehearsal process my co-star has been leering at me with a look that says “when and where, baby?”. I’m trying very hard not to let it distract me. I’m a professional, and I don’t want her flirtations to shatter my focus. (She is cute, though.)
We’ve begun blocking the show, and we’re almost through Act 1. For those of you familiar with “Love Letters” you may be wondering how one “blocks” a show that traditionally doesn’t have any. You see, “Love Letters” is usually staged with the two actors sitting at desks or a table, and presenting the entire play without moving. Well, we’re trying to break the mold. In so doing we’re hoping to make the show a bit more visually interesting for the audience.
This is something we talked about from the outset. When Terry and I first met Stuart Landon, the show’s director, he discussed the idea of breaking with the “traditional” staging of the show to try to give it a more modern flavor. It seems to be working. He’s broken the stage into 9 sections (3 rows of three) and each section represents an “acting area”. The stage at the Playhouse is a thrust stage which means there is seating on three sides of the stage. This can be problematic if the action stays in one place. It typically means that a portion of the audience gets to see your face, and the other portion gets to see, well, your tush. By creating the acting areas Stuart has made it possible for the performance to be seen by every seat in the house equally.
So far, so good.
Happy Holidays.